CafePellicola

Romance

A vibrant community celebrating the prominent achievements of Italian cinema — from Neorealism to the present.

8 posts in Romance

Still from Giulia non esce la sera – Giulia Doesn’t Date at Night (2009)

Giulia non esce la sera – Giulia Doesn’t Date at Night (2009)

In this film Giuseppe Piccioni returns to familiar themes of alienation and the decline of modern family structures, the resulting need for companionship and our value system that wraps it all in good and bad labels. The film's 3 protagonists: Giulia, Guido and their swimming pool.

DramaRomance
Still from Cosa voglio di più – Come Undone (Silvio Soldini – 2010)

Cosa voglio di più – Come Undone (Silvio Soldini – 2010)

If you think what made Neorealism successful; a genuine blend of non-professional actors, shots on location, themes of social hardships and “objectively” journalistic camera – served to post-war Italian audiences that must have said “yea this is exactly what we’ve gone through!” and then went on garnering a worldwide admiration.

DramaRomance
Still from Light of My Eyes – Luce dei miei occhi (Giuseppe Piccioni – 2001)

Light of My Eyes – Luce dei miei occhi (Giuseppe Piccioni – 2001)

Writing about this film, I decided not to talk about the plot, actors, angles, the director personal story-drivers and focus on just one aspect.

DramaRomance
Still from White Nights – Le notti bianche (Luchino Visconti – 1957)
Still from Malèna (2000)

Malèna (2000)

The key ingredients of this film include: Academy award winner director GiuseppeTornatore; international debut of bombshell Monica Belluci; coming of age story of a young boy in a small Sicilian village during World War II; and the timeless music of Maestro Ennio Morricone.

DramaRomance
Still from The Crush – La Cotta (Ermanno Olmi – 1967)

The Crush – La Cotta (Ermanno Olmi – 1967)

Have plans for New Year? Not yet? Well…now you do!

Still from Too Bad She’s Bad – Peccato che sia una canaglia (1954)

Too Bad She’s Bad – Peccato che sia una canaglia (1954)

Looking for a classic heart-warming comedy?

ComedyRomance
Still from Boccaccio ’70: Renzo e Luciana (Mario Monicelli – 1962)

Boccaccio ’70: Renzo e Luciana (Mario Monicelli – 1962)

With the global success of Fellini’s 1960 La Dolce Vita, Cinecitta’ the glorious studio in Rome continued the theme of love in modern times, featuring four leading directors: Mario Monicelli, Federico Fellini, Luchino Visconti and Vittorio de Sica. The last three were considered veterans back then, whereas Monicelli an up and coming director that his 1958 film I soliti ignoti – Big Deal in Madonna Street - is considered the first of the commedia all’italiana genre. Luciana waiting for Renzo in the packed swimming pool with the lurking boss approaching.

ComedyRomance