Umberto D. (Vittorio De Sica – 1952)

In one of the greatest accomplishments of the Neorealist film movement, Vittorio De Sica dedicates this film to his father and effectively captures the grim life of the elderly in post-war Italy. The film paints a vividly emotional picture of Umberto D. (Carlo Battisti non-proessional actor – a university professor from Florence), an older man [...]

Fists in the Pocket – I Pugni in Tasca (Marco Bellocchio – 1965)

Marco Bellocchio, Italy’s second generation of film directors after WW2, highly influenced by the British cinema, provides in his film debut a counter and radical approach to the bourgeois family values, religion and the Neo-realism movement. Charged with the director’s autobiographical elements, over the edge acting style and Ennio Morricone’s circular vocal treatments – the [...]


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