Marco Bellocchio, Italy’s second generation of film directors after WW2, highly influenced by the British cinema, provides in his film debut a counter and radical approach to the bourgeois family values, religion and the Neo-realism movement. Charged with the director’s autobiographical elements, over the edge acting style and Ennio Morricone’s circular vocal treatments – the… Continue reading Fists in the Pocket – I Pugni in Tasca (Marco Bellocchio – 1965)