In this film Giuseppe Piccioni returns to familiar themes of alienation and the decline of modern family structures, the resulting need for companionship and our value system that wraps it all in good and bad labels. The film’s 3 protagonists: Giulia, Guido and their swimming pool The film runs 3 main parallel plot lines: the [...]
Posted by Shlomi Ron on 08.28.2011 at 9:13 am// Tagged: Drama, Italian Cinema, Modern Italian Cinema, Romance , Baustello, Giuseppe Piccioni, Valeria Golino
It’s part of the trio short movies proposed by Per Fiducia, the project already described in the review of Il Premio. This is an intense shot on reality. When we say the eloquence of silence. He makes the silence speak. Slowly, sweetly, deeply. Black and white, and we are already into a poem. Every single [...]
Posted by Laura Bianconcini on 04.27.2009 at 12:50 am// Tagged: Documentary, Drama, Italian Cinema, Modern Italian Cinema, Political, Romance, Short
This short film is part of “Per Fiducia” (“Through Trust”), an ambitious project that unites three award-winning directors Ermanno Olmi, Gabriele Salvatores, and Paolo Sorrentino in cooperation with Intessa Sanpaolo – to answer a simple, yet timely question: Can movies, as mirrors to reality, change it and give hope, especially in dark moments? The answer [...]
Posted by Shlomi Ron on 04.26.2009 at 3:13 pm// Tagged: Drama, Modern Italian Cinema, Political, Romance, Short , ermanno olmi, Per Fiducia, train
From Los Angeles Independent Festival in collaboration with the Italian Cultural Institute of Los Angeles. Great excitement for this movie which is again from and about Sardinia. The fact that the director was there presenting the film and holding the discussion makes it even more interesting. Sonetaula is a book by Giuseppe Fiori that he [...]
Posted by Laura Bianconcini on 08.12.2008 at 1:51 am// Tagged: Drama, Events, Italian Cinema, Neorealism, Regional Cinema, Romance , Salvatore Mereu, sardinia
Known as the father of the Neorealist film movement with his emblematic masterpiece Rome Open City – Roma Citta’ Aperta (1945), Roberto Rossellini in 1950 decides to change direction. Seeing the role of cinema as mirroring a constantly evolving reality, he believes Italy has changed and there is no reason for producing more films about [...]
Posted by Shlomi Ron on 03.15.2008 at 6:15 pm// Tagged: Classic Italian Cinema, Drama, Immigration, Italian Cinema, Romance, War , Ingrid Bergman, Roberto Rossellini, Stromboli