From Cinemasud San Diego: Ballo a tre passi – The three steps dance (Salvatore Mereu 2003)

I have been waiting for this and the following movie for months. I am thrilled. This is my own root region (partially) and I have the privilege to be in and out of the scene. Sardinia, where its crystal waters are seen with suspects, and its dark remote caves are a shelter. A land of… Continue reading From Cinemasud San Diego: Ballo a tre passi – The three steps dance (Salvatore Mereu 2003)

From Cinemasud San Diego: Tornando a casa – Returning home (Vincenzo Marra 2001)

Sunday October 13, 2007 Cinemasud continues its path. It’s late, I have to hurry. They won’t wait for me. I push my lazy legs pedaling as fast as I can. I finally arrive after 10 infinite panting minutes. I am breathless, but at the reception everybody is there. Pasquale, Clarissa, Serena, and sweet Victor. Grazie… Continue reading From Cinemasud San Diego: Tornando a casa – Returning home (Vincenzo Marra 2001)

From Cinemasud San Diego: My brother in-law – Mio Cognato (Alessandro Piva – 2003)

Friday October 11, 2007 Cinemasud discretely opens the doors. At the Museum of Photographic Arts of Balboa Park, we find all the organizers calm yet excited personally welcoming the guests. Victor and his big smile impossible to miss. Black-dressed, he lost some weight I guess, maybe due to some insomnia and certainly a lot of… Continue reading From Cinemasud San Diego: My brother in-law – Mio Cognato (Alessandro Piva – 2003)

Golden Door – Nuovomondo (Emanuele Crialese – 2006)

The latest film by director Emanuele Crialese (who also did 2002 Respiro) is a fine example of modern Italian cinema at its best – amazing photography, supported by clever screenplay and pounding soundtrack that will keep you relishing the experience days after watching. [youtube width=”615″ height=”461″]http://youtu.be/-NkoJXHiQTc[/youtube] The film vividly tells the story of Italian emigration… Continue reading Golden Door – Nuovomondo (Emanuele Crialese – 2006)

Umberto D. (Vittorio De Sica – 1952)

In one of the greatest accomplishments of the Neorealist film movement, Vittorio De Sica dedicates this film to his father and effectively captures the grim life of the elderly in post-war Italy. The film paints a vividly emotional picture of Umberto D. (Carlo Battisti non-proessional actor – a university professor from Florence), an older man… Continue reading Umberto D. (Vittorio De Sica – 1952)