Escape by Night – Era notte a Roma (Roberto Rossellini – 1960)

Known as the father of neorealism in Italian cinema, specifically due to his widely acclaimed masterpiece, Rome Open City – Roma, città aperta (1945), in this film director Roberto Rossellini continues his theme of personal human stories embedded in the rough realities of Italy during WWII.
Portraying a common phenomenon at the time by zooming in [...]

The Desert of the Tartars – Il Deserto dei Tartari (Valerio Zurlini – 1976)

Open wide spaces of panoramic desert views, soldiers perched high on their guard in an ancient, semi destructed fortress, waiting for an unseen enemy – the tartars – that for years and years never comes. Despite this inactivity, there is a total obedience to rules and regulations in the face of a non-existent enemy, which [...]

Mediterraneo (Gabriele Salvatores – 1991)

In tempi come questi, la fuga è l’unico mezzo che rimane
per mantenersi vìvi e continuare a sognare.
In times like these, escape is the only mean available
for keeping alive and continue dreaming.
- Henry Laborit
This film opens up with [...]

Stromboli – Stromboli, Terra di Dio (Roberto Rossellini – 1950)

Known as the father of the Neorealist film movement with his emblematic masterpiece Rome Open City – Roma Citta’ Aperta (1945), Roberto Rossellini in 1950 decides to change direction. Seeing the role of cinema as mirroring a constantly evolving reality, he believes Italy has changed and there is no reason for producing more films [...]


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