1860 I Mille di Garibaldi (Alessandro Blasetti – 1934)

As Italy celebrates its 150th year of unification (aka Risoregimento) this year, the Lincoln Film Society in New York chose to include this masterpiece by Alessandro Blasetti as part of their current festival: Open Roads: New Italian Cinema. I attended the screening and here are some of my impressions. Carmelo and Rosuzza his wife reunited [...]

Salvatore Giuliano (Francesco Rosi – 1962)

In this masterpiece classic director Francesco Rosi tells the story of Salvatore Giuliano, a famous Sicilian gangster that during the mid-40’s collaborated with a Sicilian separatist group, Movement for the Independence of Sicily (MIS), with close ties to the Mafia engaging with small-scale attacks on government and police targets. Rosi delivers a poignant documentary that [...]

The Three Brothers – I tre fratelli (Francesco Rosi 1981)

The mother’s death gathers together the three brothers back to their youth home. Raffaele (Philip Noiret), the oldest, a successful famous judge, from Rome. Nicola (Michele Placido), a blue collar active in the union movement, dealing with his marriage crisis. Rocco, reserved and spontaneous, dedicated to help children in a correctional institute. Donato, their father, [...]

Christ Stopped At Eboli – Cristo si è Fermato a Eboli (Francesco Rosi – 1979)

In this film, Francesco Rosi tells the story of painter Carlo Levi, an anti-fascist activist that was arrested in Turin in 1935 and was sent by Mussolini to the remote town of Gagliano (invented name) – in what is known today as Basilicata. If you ignore the historical context of this film and focus on [...]

Hands over the City – Le Mani Sulla Città (Francesco Rosi – 1963)

The characters and events shown are imaginary The social and environmental context is real Fracesco Rosi‘s outrageously bold social realism film ends with the above condemning statement. The film offers a unique over the shoulder view into the world of political deal making and corruption in Naples of the early 60′s. Rod Steiger effectively plays [...]


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